rewind -----> all aboard the shrimp train
i was slow catching my train, so i quickly scurried into a very small compartment - reserved, much to my surprise, for fish vendors carting their wares about the peninsula. (fantastic! perhaps I can acquire food for the evening.) the car smelled like one would imagine- pungent and brackish; raw shrimpy goodness. positive i was on my way to hurl city, i flung myself out of the train at the next stop [okay, flung is too strong... hopped daintily out of the "shrimp car"] and jumped into the next open car.
big, big mistake.
the only analogy i can think of is the floor at philips when we saw NIN... a number of sweaty folks, except this time crammed into a thin, barely lit tin can. all pushing. to make things more fun, the people waiting at the next stop fight and throw arms and generally take a running dive into the train. picture: flickering lights; a gaggle of limbs, flailing about; a small american-indian, grappling for air complete with pained look upon face; hundreds of people, rushing the car, as though the one true answer to the mystery of life, sex, wealth, happiness, and samosa resides in the cubic centimeter of space between resident indians 1 through 4 and non-resident alien me. i'm not claustrophobic, but at one point i was crammed between one dude's armpit and another's fella's back and pinned to the wall and seriously thought i was going to flip out, yo. i had to close my eyes and just sort of wish myself outta existence for a little while. Two sweaty armpits and their associated staaaank whisked me violently back into reality.
The shrimpies were a far more tempting fate.
fast forward -----> Tanneries, Textiles, & Domestic Violence
Yesterday scared me. Anil, Rajan, & I went to the slum to collect B footage and interview some children, women, and a few other folks for YUVA's documentary. The interviews were smashing; one elderly gentleman in particular, who has been making pottery for over 25+ years, remarked intelligently on the strong need for change in the community and the excellence of the gas-powered kiln. He spoke about his breathing and heart trouble, and how they seemed to be worse with the smoke; he spoke on his children, who have found other work; and he spoke on the way the gas kilns fired pots, how some of them broke but no more than when firing with the traditional kilns. He recognized the resistance in the community to change, but felt it necessary, inevitable. It was refreshing to hear an elder statesman speak positively of change, to be in favor of change. Similarly, the B-roll footage of the kids and the women's group went well. The kids adore "shooting" [as the filming is called] and stuck around until we had to chase them off.
The early chunk of the day was similar to others - fun yet not central to my work. The later part of the day involved shooting in other regions of Dharavi for the introduction to the video - this portion was insane. The areas with tanneries and other small to medium-sized enterprises were unlike the potters' colony; they were cramped, without the wide lanes to accomodate bhatti; sewage and trash were rife; naked children, beggars, flea-laden dogs. small pathways careening through makeshift housing alongside informal, open sewage ditches. overwhelming and intense.
i started looking for something less... caustic. a group of children with a litter of kittens. three men, pushing a wheel chair-bound companion through muddy, muddy alleyways, all of them laughing hysterically as they slide around. a beaming mother, looking down on her elder daughter of 5 or 6 holding her newborn brother, who is cooing and gurgling loudly. i felt and still feel remarkably out of place. i have no right to be there, invading, internalizing.
the industries themselves make the sweatshops of NBC and Baraka look tame. Groups of between five and ten workers of ages ranging from 7-80 are crammed in a reasonably large, unventilated room with one wide opening. they're all working; the eldest gent, 100000 years old, hums out a familiar hindi tune along with the radio whispering in the background; its hot, but sweating here is a way of life. Perhaps most striking are the products they are working on - one shop worked on plastic containers found around blankets and comforters; another worked on fabric, pressing it and printing it; and the tanneries worked hides. the tanneries were an environmental disaster. chromium was everywhere, green and blue, frothing, mixed with god knows what else. hide was everywhere. the place smelled of death, fixatives, and mold. across a major road, leather wholesalers abound. no regulation binds action here, and concern for the environment comes second to scraping by.
india doesn't allow visitors to focus on just the attractions or remain in fun, comfortable places. for better or worse, the beautiful stuff plays footsy with the devestating stuff on every street corner, at every tourist attraction, around every corner. difficult.
step forward -----> Thunder Lightening Strike!
"Very heavy rains expected in Mumbai in the next 48 hours. Thank you and have a safe monsoon."
The rains have begun. For those of you who've lived in Louisiana, think storm season times ten. The streets in Dharavi flooded in minutes, and the rains didn't let up for over an hour. They began anew two hours later, twice as intense.